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Archive for January, 2010

Book Review - DMZ: On The Ground

Thursday, January 21st, 2010

Books I Always Wanted To Read But Never Got Around To Reading… ’till Now.

DMZ: On The Ground by Brian Wood, Riccardo Burchielli

DMZ: On The Ground by Brian Wood, Riccardo Burchielli (2006)

“… Today marks the fifth anniversary of the initial outbreak of hostilities between the United States of America and the so-called “Free States.” It is also the third day of a tentative ceasefire, and despite all predictions, it appear to be holding.”

That’s the backdrop for DMZ.  Civil War II.  What a concept.  I stumbled upon a review of this book several years ago and was intrigued enough to add it to my “Gotta Read!” list.  I finally got our warehouse guys to get me a copy of it and I just finished it last night.  It did not disappoint.

Brian Wood sets the scene on Manhattan Island where the actual “DMZ” or demilitarized zone exists between the “Free States” and the US.  In case you’re wondering, a DMZ is an area or boundary between military powers, that are or have been in conflict with each other, where military activity is generally “not permitted,” brought about through some sort of bilateral mutual agreement.  A real life example would be the 2.5 mile wide, 155 mile long Korean DMZ that is a serves as a buffer zone between North and South Korea.

A map depicts an image over Manhattan showing the “Free States”  comprising of the territory of “New Jersey & Inland,” where the reader is left wondering as to exactly how far inland the Free States covers.  The USA zone covers Brooklyn/Queens and long Island, again, begging the question of how much of our country is Free State and how much is US?  The Demarcation Line goes up the Hudson Bay, encompassing Manhattan which still has a civilian resident population trying to eke out a living .

For the few remaining residents of the beleaguered island of Manhattan, a formal ceasefire is of little consolation when faced with the realities of the war zone they live in: looters, roving gangs of neighborhood militia, insurgents, car bombers, contract killers… this is daily life in the city.”

The story follows Matt Roth, a young photo tech intern who lands an accompanying photo-op with a Nobel Prizewinning news journalist from Liberty News into the Manhattan DMZ where “life over there remains largely a mystery.”

matt-roth

With NYPD escort, they Black Hawk in to a smoldering city in ruins, that eerily,  instantly brings to mind 9/11 and the Twin Towers.  In fact, imagery of 9/11 blatantly permeates the first part of book, not as a contrived pandering but as an opportunity to tap into the reader’s feelings and emotions entrenched there, from watching the footage of the Twin Towers falling, in order to convey what Matt Roth is most likely feeling as he’s flying into Manhattan… where 9/11  actually really did happened.

As I read DMZ, I imagined Brian Wood saying,

“Ok, remember the feelings you had when the towers fell? Well, Imagine, … just try to fathom what the hell it looked like after the they fell, not from a boob-tube, but on the ground, at ‘Ground Zero.’  Now imagine, not just the destruction, but the implications of what happened… no water, no power, no nothin’… and now spread that same reality throughout the entire Manhattan island.  THAT’s what Matt Roth, and you the reader are entering into.”

Of course… Brian Wood didn’t say that, but that’s what came to mind when reading it.  The 9/11 imagery consists of the destroyed buildings exposing their skeletal frames giving off smoldering black ash and smoke that rises into the sky at just-the-right-angle and just in case you’re a little too dense to pick up queues from good writing causing you to miss the not-so-subtle subtlety, there’s a bit of graffiti right over Matt Roth’s head, as he awaits his assignment in the hallway, under a paper print out of safety procedures describing what to do in the event of a mortar attack, that reads, “Every Day is 9/11!”

Every Day is 9/11

This was one book I didn’t want to put down.  The art is good, the writing is plausible and well thought out to easily let me suspend my disbelief and the violence and language were properly laced throughout the story being neither gratuitous nor apologetic or padded.

Writer and cover artist Brian Wood has earned multiple Eisner Award nominations and is currently under exclusive contract for DC/VertigoVertigo, the comic company that’s responsible for some hot-shit stories such as; Neil Gaiman’s Sandman, Alan Moore’s Swamp Thing, Garth Ennis’ Preacher, (Tangent: Garth Ennis is responsible for giving the  Punisher CPR with his ultra-violent stories in the Punisher Max story lines.  If you want to see Frank Castle doing what Frank Castle was meant to do, stop what you’re doing right now and go get yourself every single Punisher Max book you can get your hands on.  Garth sets the tone, and bar, for the ultra-violent.) Vertigo also brought you; Y: The Last Man and V For Vendetta.  Check out what IGN babe, Hilary Goldstein, had to say in her The 25 Best Vertigo Books.

Brian Wood continues to write his unique brand of iconoclastic creator-owned work with DMZ, Northlanders, Demo and The New York Four and currently lives with his wife and daughter in Ditmas Park, Brooklyn.

Riccardo Burchielli is an Italian artist for Vertigo who did the artwork for DMZ, his first series here in the US.

I look forward to getting the warehouse to send me the next two volumes of DMZ!  Here are some of the first pages of volume one.

dmz-a-cover1

DMZ Cover

Intro Brian Azzarello

Intro Brian Azzarello

dmz-c

DMZ - Door Gunner

DMZ p.7

DMZ p.7

DMZ p.8

DMZ p.8

DMZ p.9

DMZ p.9

DMZ p.10

DMZ p.10

DMZ p.11

DMZ p.11

DMZ p.12

DMZ p.12

DMZ p.13

DMZ p.13

DMZ p.14

DMZ p.14

DMZ p.15

DMZ p.15

You can get the DMZ Trade Paperbacks here.

Director Marc Webb (500) Days of Summer To Direct Spider-Man Franchise

Wednesday, January 20th, 2010
(500) Days of Summer Director Takes On Spider-Man Fanchise

(500) Days of Summer Director Takes On Spider-Man Fanchise

The next chapter in the Spider-Man franchise will be directed by Marc Webb, the director of the Golden Globe nominated Best Picture (500) Days of Summer.  Teen Spidey should hit theaters summer 2012.

Written by James Vanderbilt, Webb will work closely with producers Avi Arad and Laura Ziskin in developing the project, which will begin production later this year.

Amy Pascal, co-chairman of  Sony Pictures Entertainment, and Matt Tolmach, president of Columbia Pictures, said about the next Spider-Man movie,

“At its core, Spider-Man is a small, intimate human story about an everyday teenager that takes place in an epic super-human world. The key for us as we sought a new director was to identify filmmakers who could give sharp focus to Peter Parker’s life. We wanted someone who could capture the awe of being in Peter’s shoes so the audience could experience his sense of discovery while giving real heart to the emotion, anxiety, and recklessness of that age and coupling all of that with the adrenaline of Spider-Man’s adventure. We believe Marc Webb is the perfect choice to bring us on that journey.”

The probably had to call up Stan The Man Lee to get a quote from him before they did the press release.  Come on!… We don’t need no Steengkeen Peter Parker!  We want to see Spidey knock bad guys’ heads, rip steel doors off their hinges, dodge bullets and save the day!

Parker can barely pay his bills on time, is chronically late for everything and in the classic series just paints himself to be a constant shmuck!  We got enough of that in our real life, we want some action, some real hero doing super things in cool outfits with funky gadgets.  If we wanted to see a born-again-loser all we’d have to do is look in the mirror.

Peter doesn’t give us hope.  Spidey gives us hope.  You’re never going to hear mom say, “Jimmeeee! Eat your Wheaties so you’ll be big and strong like Peter Parker!”  Come on! Even Bruce Wayne has his bajillions of dollars, incredible good looks, body of an Olympian and brain of the best detective in the world.  Bruce Rocks! … I don’t wanna see Peter’s story.. I want what they gave us in Spider-Man II with the run-away train.  Now THAT was action. … I and every other guy in the theater was just-that-close to tears when Spidey passed out and the passengers …. … the passengers they… *choked up*… passed him… *swallow*… over their heads and …. excuse me, *leaves room, blows nose, pulls collar*…. and gently laid him down on the rail floor… .. *sniff*.  God I’m such a puss!  That stupid scene gets me every time.

No more Peter emptying the trash talking to MJ. No more… Peter trying to pay Aunt May’s bills!  Or running late to the play only to be stopped by Ash (Bruce Campbell).  Come ON! I didn’t pay freakin’ $10 bucks to see that.  Even the pizza scene, where he rescued the little brat, was better than that.  No.  The best was when Spidey (not Peter) was fighting Doc Ock on the clock tower and finally rescued Aunt May, then all the chicks come running up, “Rescue ME! Rescue ME!”… stupid chicks.

The new Spider-Man movie will be written by James Vanderbilt.  Webb will work closely with the producers Avi Arad and Laura Ziskin in developing the project.  Arad and Ziskin spoke about the movie,

“Over the years, the Spider-Man comics have been told with bold and creative new writers and artists who have blah blah blah audiences see Peter Parker. Marc Webb will do for the new direction of the films what so many visionary storytellers blah blah blah with the comic books blah blah blah blah.”

Webb said,

“This is a dream come true and I couldn’t be more aware of the challenge, responsibility, or opportunity. Sam Raimi’s virtuoso rendering of Spider-Man is a humbling precedent to follow and build upon. The first three films are beloved for good reason. But I think the Spider-Man mythology transcends not only generations but directors as well. I am signing on not to ‘take over’ from Sam. That would be impossible. Not to mention arrogant. I’m here because there’s an opportunity for ideas, stories, and histories that will add a new dimension, canvas, and creative voice to Spider-Man.”

Just don’t suck Marc! Stan The Man Lee, co-creator of Spider-Man, added,

“I’m excited that Sony has chosen a director with a real penchant and understanding for the character. This is a brave, bold direction for the franchise, and I can’t wait to see what Marc comes up with next.”

We love you Stan.  If you’re concerned about where this might be heading… go see (500) Days of Summer.  It’s very well done.  Marc did a great job on it.  He won acclaim with his film debut (500) Days of Summer and has several MTV VMAs including 2009’s Best Director award for Green Day’s “21 Guns,” 2006 Best Rock Video for AFI’s “Miss Murder,” and Best Group Video for The All-American Rejects’ “Move Along.” The Music Video Production Association honored him in 2006 as the Director of the Year for his work with Weezer, AAR, and My Chemical Romance.

In addition to two Golden Globe nominations, Marc’s first feature film, (500) Days of Summer, has been nominated for three Independent Spirit Awards, including Best Feature. Webb was also awarded the Spotlight Award, which honors outstanding directorial debuts, by the National Board of Review.

So, what we’re seeing here is some new young blood.  God let’s hope it’s better than some of the sappy stuff they put on Smallville.  Please don’t F this up Marc.

If you get a chance, check out some of our Spidey gear.

P.S. … and Marc… you BETTER bring back the mechanical web-shooters!  Drop the 2099 talons! … so help me….

John Carter of Mars Movie

Tuesday, January 19th, 2010
John Carter and Deja Thoris by Boris Vallejo and Julie Campbell

John Carter and Deja Thoris by Boris Vallejo and Julie Campbell

Remember Tarzan?!  Then you’ll be pleasantly surprised to know that Edgar Rice Buroughs’ other well known hero, John Carter, from Burough’s Martian series, will be hitting the movie screens in 2012.

John Carter Warlord of Mars by Boris Vallejo

John Carter Warlord of Mars by Boris Vallejo

Walt Disney Pictures is shooting the live action film John Carter of Mars in London. As long as the screen play holds it’s own, the movie should be a hit with the weight of everyone involved.  Wall-E director Andrew Stanton is at the helm! FRAK YES! The actor line up is; Taylor Kitsch (Gambit - X-Men Origins: Wolverine) as John Carter, Lynn Collins (Kayla Silverfox/Wolverine’s girlfriend: X-Men Origins: Wolverine) as “the incomparable Dejah Thoris, Princess of Mars, Willem Dafoe (Elias: Platoon, Norman Osborn/Green Goblin: Spider-Man I) as the green, four limbed Tharkian, Thomas Haden Church (Sandman: Spider-Man 3), Polly Walker, Samantha Morton, Mark Strong (Lord Blackwood: Sherlock Holmes), Claran Hinds, Dominic West, James Purefoy, (who was brilliant as Marc Anthony in HBO’s Rome, will portray Kantos Kan, the captain of the Kingdom of Helium’s flagship, the Xavarian), Bryan Cranston, and Daryl Sabara.  Jesus Christ! What a cast!

John Carter Warlord of Mars by Boris Vallejo

John Carter Warlord of Mars by Boris Vallejo

Carter is a 6′2 stud with close-cropped black hair, steel-gray eyes and is portrayed as something akin to an immortal. In the opening pages of of Burrough’s first book, A Princess of Mars, Carter is contemplative, remembering no childhood, having always been a man of about thirty years old. With many generations of families having referred to him as “Uncle Jack,” Carter inevitably ends up living to see all the members of these families grow old and die, while he forever remains young.

A Virginian, John Carter had just served as a Confederate captain in the American Civil War. He finds his fortune in Arizona gold after the cessation of the hostilities. While hiding from blood-thirsty Apaches in a cave, Carter seemingly dies and his spirit-essence, leaving his body behind,  is somehow transported to Mars, where he finds himself re-embodied in form, identical to his body back on earth. Having lived in Earth’s heavier gravity, Carter finds that he is much stronger than the native inhabitants on Mars, which has a weaker gravity.

John Carter Warlord of Mars Comic Book #1

John Carter Warlord of Mars Comic Book #1

On Mars, which the inhabitants refer to as Barsoom, Carter encounters tall green skinned, four-armed warriors called the Thark, as well as various other beasts and humanoids, and finds his true calling in life as a warrior-savior for the people of Barsoom. Carter eventually wins the hand of Dejah Thoris, who, unbeknownst to him, is the princess of Helium. Unfortunately, in a Christ-like fashion, he ends up sacrificing himself to save the planet.

After his death on Mars, Carter then awakens, shocked more so not at being alive but at miraculously having been transported back to Earth. Being unable to return to Mars, Carter spends his remaining years living in a small cottage on the Hudson River in New York, where he again “dies an Earthly death” on March 4, 1866.

John Carter Warlord of Mars Comic Book #11

John Carter Warlord of Mars Comic Book #11

As occurred the first time, Carter’s second demise is not a true death as he is restored, once again, back on Barsoom, where he eventually rises to the position of Warlord of Mars. He eventually returns to Earth on several more occasions to relate his adventures to his nephew, who is none other than the creator of the John Carter series himself, Edgar Rice Burroughs! Carter also shares with Burroughs that he has finally mastered astral-projection travel between Earth and Mars. While on Mars Carter’s Earth bound body is housed in a special tomb that can only be opened from the inside.

This movie will kick TOTAL Ass!  Stay tuned for John Carter movie t-shirts.

Marvel Biotch Slaps DC

Friday, January 15th, 2010
Marvel Offers Siege #3 Deadpool Variant for 20 DC Comics

Marvel Offers Siege #3 Deadpool Variant for 50 DC Comics

In a bold move, Marvel just announced they will swap one free Siege #3 Deadpool Variant comic for 50 stripped DC covers. (Comes to about $200 retail bucks).  But only for the DC Comics involved in the Green Lantern Rings promotion.

Black Lantern Ring

Black Lantern Ring

What’s the deal? According to Diamond Comic Distributors (monopoly), towards the end of ‘09, for the first time in more than like a bajillion years, DC snagged the top six spots for monthly sales!  Five of those six were Blackest Night related. To compliment sales and as a value-add, DC threw out a plethora of multi-colored Blackest Night rings, each one being released with a tie-in book, representing one of the corps at war in the series.

The rings stirred up quite a buzz and sales took off.  They were give-aways for the first week each comic came out, then they sold for about $2 bucks there after and about $13 for the full set. Retailers were able to order the highly sought after Rings, based on hitting incentive purchase levels of the Blackest Night tie-in titles; such as Adventure Comics #4, Booster Gold #26, Doom Patrol #4. Without a doubt, these promotions help bump interest and readership, which translates into sales.

Wholesale orders of the Blackest Night tie-ins skyrocketed, hitting 5x normal sales for the top selling covers.  … Then along comes Marvel, with their Siege #3 Deadpool variant swap, betting that not all those tie-ins will sell and most will sit on the shelf.  Here are the titles, and their respective increase in orders, for which Marvel is swapping the #3 variant for;

40,714  Adventure Comics #4
35,525  Booster Gold #26
33,712  Doom Patrol #4
28,364  Justice League of America #39
29,505  Outsiders #24
39,816  R.E.B.E.L.S #10

That’s  over 200,000 comics.  It’ll be interesting to see what the retailer response is.  Currently, perception is mixed over Marvel’s throw down.  See, retailers have to rip the covers off 50 comics, just to get one variant.  Yeah, worst case scenario is that those 50 will never sell, that’s about $75 sunk cost that could go towards the $1 or even 50 cents box.

Superherostuff spoke to George Demonakos, co-owner for The Comic Stop, with three shops in the Seattle area.

SHS: George, how’d the tie-ins do for you? They boat anchors? Got any sitting on the shelf?

George: We sold through the majority, if not all, of our Blackest Night tie-ins. They did VERY WELL for us.

SHS: Sweet. What’s your take on Marvel’s variant offer? Would you call it rude?

George: … I don’t know what to make of it, they’re obviously going after DC.. but I don’t know. … see, they both do crossovers, it’s not like Blackest Night did anything unique… so, I don’t know what to make of it.

SHS: What do you think the response will be for this Deadpool comic?

George: I don’t think they’ll get a big response, 50 is A LOT of comics to rip up, and the only benefit is getting that one variant.  There might be some dead stock, but… see the retailers had to buy more stock to get the rings from DC.  You had to order in groups of 25 and 50, but DC was really nice about it, forcing us to only buy 25 Doom Patrol and not 50, 25’s not a big stretch, so getting the rings wasn’t a financial burden.  With JLA the cut off was 50 and 100, but they’re a bigger seller.   So I don’t think there will be a lot of dead stock on the shelf, DC made it as friendly as possible.  And, for trading in 50… you don’t know if you’re going to get stuck with a dead book or not once you make the swap.

SHS: So you won’t be participating in the Deadpool variant swap.  Why not.

George: I don’t have 50 comics to send them, no, we won’t be participating.

SHS: Do you want to? Do you wish you did have 50 Dazzler or Madame Xanadu’s to send them?

George: No. I’d rather have the sales now rather than have 50 dead comics sitting there.

SHS: Can I have that Powergirl statue for free?

George: No.

SHS: What about that Lady Death life size statue

George: No.

SHS: … the Lara Cro…

George: No.

SHS: Thanks George

George: Any time.

All for one comic.  The way we see it, is that it just comes down to dollars and cents. Blackest Night sold lights out.  The tie-ins did very well.  And 50 comics IS A LOT to rip up.  And the variant is an unknown.  If it is just dollars and cents, then a retailer would be an idiot to get rid of 50 comics, that are currently not boat anchors, to grab one variant and turn around and sell it at cover price.  To recoup the sunk cost, a comic store would have to mark it up to $60 - $75, and that’s just to break even.

And maybe Marvel’s move just isn’t as classy or suave as they would like to think.  Word on the street, over at Newsarama, is that people see Marvel’s move as anything but classy and simply another contrived ploy to bring back the old DC/Marvel feud.

But DC aint bitin’.

Blackest Night Rings

Blackest Night Rings

Spider-Man 4, Raimi, Maguire & Dunst Canned … Gwen Stacy Lives!

Thursday, January 14th, 2010
Spider-Man 4 Cancelled, Raimi, Toby and Kirsten gone.

Spider-Man 4 Cancelled, Raimi, Toby and Kirsten gone.

Marvel, Sony and Columbia have decided to kill Spider-Man 4.  The film had originally been scheduled for May of 2011.  Now… pfffft. At first the studio stated that production was “Delayed”. But ultimately, Spider-Man director Sam Raimi has actually been let go. Also gone are,  Tobey Maguire/Peter Parker and girlfriend Kirsten Dunst/Mary Jane.

What seems to be in the forefront minds of studio execs is the axing of over priced actors and staff as well as assimilating a “Smallville” type theme that focuses on Peter Parker in high school. …Just like Clark Kent, but different.   Check out Ultimates Spider-Man comics, to get a good idea of what’s around the corner. It is quite awesome, at least up to issue #100 or so. I think it was Brian Michael Bendis who wrote it. Definitely NOT Smallville-Spidey by any means. Way cooler, edgier. Like way, way cooler-edgy.

Spiderman, MJ and Raimi

Spiderman, MJ and Raimi

Columbia’s deal with Marvel states that Columbia needs to keep “actively developing” Spider-Man films or else Marvel yanks their license and either makes the movie themselves or sells it another party… or simply sits on it just to piss us Spidey fans off.  But DC is the one spider_man_4_the_movienotorious for that more so than Marvel.  Of course, Columbia had a card up their sleeve, just in case the actors were tanked. Call it the, “Just in case the director and all the primary actors of Spider-Man get fired,” plan.  Or the, “Let’s do Spider-Man over again but more cheaper and just like Smallville… but different! Ok!?” plan.

This contingency, or “reboot,” has James Vanderbilt writing the script. A quick jaunt over to IMDb has Vanderbilt already slated for Spidey 5 and 6! Ouch! Talk about fast movers; Toby’s not even done opening his pink slip and eating his Wheaties while ol’ Vanderbilt’s working on a new script with Flash Thompson giving Peter a swirly.

You remember Vanderbilt, don’t you?  He wrote all those movies you never saw, like. … The Losers, Zodiac, The Rundown, Darkness Falls and the one everyone remembers, Goodbye Toby & Kirsten.

The new teenage Spider-Man movie, staring absolutely nobody famous whatsoever, which could be a good thing spiderman-profile[remember Hugh Jackman/Wolverine], is currently looking for a director to fill Raimi’s shoes.  One thing is for sure though, Marvel has a hell of a track record when it comes to reboots not cutting the mustard! Let’s hope ol’ Vandi can do a better job on Spidey than Marvel did with The Hulk the second time around or The Punisher the second time around or The Fantastic Four the second and third time around or even Captain America the second time around. …. Oops, forgot… they didn’t mess that one up again yet.

Through all of this, Raimi could have been a real sphincter, having been let go, but he instead showed the world how a class act gets kicked in the teeth, “While we were looking forward to doing a fourth one together, the studio and Marvel have a unique opportunity to take the franchise in a new direction, and I know they will do a terrific job.” Good form Sam.

So… how does all of these changes affect you and me?  Well, we get more Spidey, which is a good thing, and, Marvel Studios moved the debut of the Thor movie into the recently vacant Spidey 4 slot, which could possibly be a bad thing due to the rushing of the story for the sake of having another superhero movie under their belt.

If only they could put as much love and commitment into honoring the superheroes in their true form as comic geeks come to expect.  In short… “Do your damn job and do it well.” How many of us would like to forget Spider-Man3? Batman Returns? Batman Forever? Batman & Robin? Superman: III? Superman: The Quest for Peace? The Punisher (1989 w/Dolph)? The Punisher (2004 w/Thomas Jane)? The Punisher War Zone? Or Hulk by Ang Lee? I mean, … COME ON! It shouldn’t be that hard to make a movie out of comics.  All the content and history is already done and laid out for you.

Spider-Man Web-Shooters!

Spider-Man Web-Shooters!

All I want is for Marvel to bring back the friggin mechanical web-shooters and drop the stupid spider talons that come out of Parker’s finger tips and toes that allow him to climb walls.  Those were two of the biggest mistakes Raimi ever did, along with putting Maguire and Dunst in for Parker and MJ.  Yeah, they’re great actors, but Toby simply isn’t Peter Parker and Kirsten aint no drop drop drop dead supermodel like MJ is supposed to be!

Gerry Conway, over at Newsarama, said it best, … who’s Gerry Conway? He’s not only known for co-creating The Punisher along with DC’s Firestorm and for scripting the first major, modern-day Marvel/DC crossover, Superman vs. the Amazing Spider-Man but is most famous for single-handedly killed off Gwen Stacy! during his long run on The Amazing Spider-Man. This guy has balls!

“Well, of course, I hope this time they kill Gwen Stacy.

About the third movie. Never really got behind Tobey Maguire as Spider-Man — he’s a great actor, did a great job with the part, but didn’t have the internal energy that I’ve always associated with Peter Parker. He just didn’t impress me as someone who’d wisecrack in the face of death.

I also was never fond of Kirsten Dunst as Mary Jane. Again, a terrific actor, but she didn’t strike me as the right casting for MJ — MJ, in my view, is a woman who’s cursed by the expectations others have for her based on her appearance. She should appear to be a vaguely slutty babe, and whatever one might say about Dunst, wonderful actress that she may be, a babe she’s not.

Both Dunst and Maguire are actors who bring a great deal of internal intelligence to their performances, but not a lot of charisma. I’m not in favor of casting this like a CW show, but it seems to me Peter Parker should be a charismatic character underneath his shy, homebody exterior — that’s the internal energy that bursts out when he’s Spider-Man, that’s what becomes liberated when he puts on t he mask, but it should be apparent, as a potential, even when he’s not in superhero mode.

As for MJ, she should present as a Bad Girl, as misunderstood and underestimated by the world as Peter is. Recasting these actors can only improve the impact of the franchise.

And by all means, they should kill Gwen.”

spiderman-swinger

You can check out our Spider-Man Merchandise here.

New Iron Man Armor

Monday, January 11th, 2010
New Iron Man Suit - April 2010

New Iron Man Suit - April 2010

Even though superhero movies are birthed from the comic books, we inevitably see the movies diverge on some tangent that is completely separate from the comics. Stuff like… bombs in the Batmobile, 30 caliber

Classic Suit

Classic Iron Man Suit - wider chin, curved widow's peak

machine guns in the Batmobile, organic web-shooters, raised webbing design on the Spidey suit, Superman has a kid, Catwoman uses dental floss for a suit, Catwoman wears an S&M outfit for a suit, Punisher has no skull on his suit, Captain America has a plastic shield and rides a motorcycle with wings on his helmet, the list goes on and just gets silly at times.

But, with the advent of the new Iron Man 2 movie, we have a convergence where the Iron Man movie suit is influencing the direction the Iron Man comics are going. Iron Man writer Matt Fraction and the designer of the Iron Man and Thor films,

Classic Iron Man Suit - Shoulder crest akin to oil pipe ends

Classic Iron Man Suit - Shoulder crest akin to oil pipe ends

Ryan Meinerding have co-designed the new Iron Man armor for the comic.  It will premiere in the April 2010 Invincible Iron Man #25 comic.

Fraction called the new armor “the next evolutionary step in the Iron Man design,” noting its aerodynamic and ergonomic qualities. “The inspiration for the new design came from thinking about a sleeker, leaner, tougher Iron Man,” Fraction said in a Marvel press release.

Classic Iron Man Suit - hip battery packs

Classic Iron Man Suit - hip battery packs

“If technology is increasingly getting smaller and lighter it seems like the Iron Man should do the same: ergonomic and aerodynamic. We were looking for something that felt as sleek and glossy as a sports car Tony Stark would covet. I love what we’ve come up with. It feels like the next evolutionary step in the Iron Man’s design.”

Compare images of the classic Iron Man suit to the new one.

Classic Iron Man Suit

Classic Iron Man Suit

You can check out our Iron Man merchandise here.


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